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<channel>
	<title>Field Object Lab</title>
	<link>https://fieldobjectlab.com</link>
	<description>Field Object Lab</description>
	<pubDate>Sun, 13 Oct 2024 15:02:58 +0000</pubDate>
	<generator>https://fieldobjectlab.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Homepage I</title>
				
		<link>https://fieldobjectlab.com/Homepage-I</link>

		<pubDate>Tue, 30 Apr 2024 03:45:39 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/Homepage-I</guid>

		<description>
	“Our starting point is always to figure out how we can create a space that awakes deep contemplation, 
ideas, memories, connections, and emotions among those who experience it

.”
Yang Fei


</description>
		
	</item>
		
		
	<item>
		<title>maison sédimentation</title>
				
		<link>https://fieldobjectlab.com/maison-sedimentation</link>

		<pubDate>Wed, 20 May 2020 06:11:59 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/maison-sedimentation</guid>

		<description>
maison sédimentation













Nominated for the 2020 James Templeton Kelley Prize
Winner of A+Awards (2023)
Winner of the Architecture MasterPrize (2023)





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Built around 1770 onto the foundations of a
much older building that was built in 1692, with a characteristic sloped roof
meant to discourage snow buildup and raised end walls that serve as firebreaks,
the original building is constructed of Montréal graystone. A local art
foundation now owns this building and plans to convert it into a contemporary
gallery that can function as a cultural center and exhibition space, showcasing
a variety of art and cultural events.



Just like the old city of Montreal, the
original building could be categorized as a sedimentary entity, which is
saturated with layer upon layer of construction, demolition, and partial
recycling of physical boundaries and foundations. The rich history has resulted
in complex circulations and varying elevations in this building. Thurs deciding
on a strategy of intervention requires an honest assessment of possibility. It
is impossible to meet the basic needs of an exhibition space while completely
preserving and restoring the current remain. While only preserving the exterior
facade and rebuilding everything within it will end up nothing more than a
duplicity mask. 



&#38;nbsp;The project is looking for is a
palimpsest of physical building layers that can accommodate the program of a
contemporary art museum while preserving the authenticity of the original. The
existing building sets the keynote with its materiality and spatial
organization. The topography and slat-like organization of spaces were
considered as the specificity of the old building and were preserved. The
objective is to construct a gradience of temporality through three different but
complementary approaches: integrated restoration, restoration with an explicit
presence of the new, and new construction. Rather than simply adding spaces to
accommodate contemporary art, the project is trying to curate sensory
experiences. 



Through Incremental restoration, this
project dissolves the binary opposition between new and old. One will
experience a transition from somber and ambiguous spaces to a neutral
background; a transition from classical decoration to defamiliarized texture; a
transition from spaces with the vestige of the past to a space that elevates
reality.













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All Rights Reserved</description>
		
	</item>
		
		
	<item>
		<title>sunken madison </title>
				
		<link>https://fieldobjectlab.com/sunken-madison</link>

		<pubDate>Sun, 13 Oct 2024 15:02:58 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/sunken-madison</guid>

		<description>
sunken madison square park

competition entry



















&#60;img width="3500" height="1969" width_o="3500" height_o="1969" data-src="https://freight.cargo.site/t/original/i/7c59225df0de3c86b560762c9dd8571a6044577d3d82be773920bf68024e0122/Overall_Material-Moss_web.jpg" data-mid="219677787" border="0"  src="https://freight.cargo.site/w/1000/i/7c59225df0de3c86b560762c9dd8571a6044577d3d82be773920bf68024e0122/Overall_Material-Moss_web.jpg" /&#62;

	Situated at the intersection of nature and urban life, Sunken Madison Square Park reimagines a segment of the park as a subterranean reflection space, where architecture and landscape merge into one contemplative journey. In the heart of Manhattan, beneath layers of bustling streets and the steel grids of the city, this project uncovers a primordial architecture that reconnects visitors with the earth's quiet rhythms, creating a meditative refuge from the chaos above. It invites visitors to descend into a series of cave-like rooms, where the sensory experience is shaped by the tactile presence of stone, the softness of filtered light, and the organic interplay of nature and architecture.







&#60;img width="2781" height="2160" width_o="2781" height_o="2160" data-src="https://freight.cargo.site/t/original/i/be4654db917e40cbc3b7811bf75d31641e749ba7205e3efd9086250ef31a0902/Interior_02_web.jpg" data-mid="219677877" border="0" data-scale="94" src="https://freight.cargo.site/w/1000/i/be4654db917e40cbc3b7811bf75d31641e749ba7205e3efd9086250ef31a0902/Interior_02_web.jpg" /&#62;






Here, the boundary between built and natural dissolves. Stone walls—rough, unrefined, and timeless—bear the traces of the earth, integrating seamlessly with the park’s landscape. The rawness of these materials is a deliberate choice, evoking a sense of grounding that contrasts sharply with the surrounding urban environment.
 
The architecture unfolds as a journey of excavation, a physical and metaphysical descent into tranquility. Pathways, subtly integrated into the park’s topography, lead visitors into sunken courtyards and inward-facing spaces, where time slows, and the senses engage with the subtleties of texture, light, and sound. The design curates this movement carefully, guiding visitors away from the city's demands and offering moments of stillness.






















&#60;img width="3500" height="1969" width_o="3500" height_o="1969" data-src="https://freight.cargo.site/t/original/i/5fce6689df21d85ecfaf461c035a77394b39cb9308665aefe7c364e403a5e3bb/Courtyard2_web.jpg" data-mid="219677815" border="0"  src="https://freight.cargo.site/w/1000/i/5fce6689df21d85ecfaf461c035a77394b39cb9308665aefe7c364e403a5e3bb/Courtyard2_web.jpg" /&#62;




&#60;img width="3000" height="2006" width_o="3000" height_o="2006" data-src="https://freight.cargo.site/t/original/i/56f64d26ceaf68f7730bc0dab8abed4346c247e5ad5647cddfcbb06dbecf444c/path2_PS_web.jpg" data-mid="219677878" border="0"  src="https://freight.cargo.site/w/1000/i/56f64d26ceaf68f7730bc0dab8abed4346c247e5ad5647cddfcbb06dbecf444c/path2_PS_web.jpg" /&#62;
&#60;img width="3500" height="1969" width_o="3500" height_o="1969" data-src="https://freight.cargo.site/t/original/i/4a0fc5a081e45448268b49a2a9d2104d09cea4fd68f858c5e7a389d1b0f18b36/aerial_web.jpg" data-mid="219677814" border="0"  src="https://freight.cargo.site/w/1000/i/4a0fc5a081e45448268b49a2a9d2104d09cea4fd68f858c5e7a389d1b0f18b36/aerial_web.jpg" /&#62;


Visitors are guided along winding pathways into more
intimate, introspective spaces, including semi-enclosed courtyards and
restrooms, each thoughtfully designed to cultivate a deeper connection with
both nature and the self.


In this way, Sunken Madison Square Park becomes more
than a built environment—it seeks to be &#38;nbsp;a sanctuary, a place where one can reconnect
with the deep, elemental rhythms of the earth. The space serves as a reflection
of humanity’s ancient need for shelter and contemplation, offering a meditative
experience that reinterprets the primal in a modern context.


&#60;img width="4972" height="5306" width_o="4972" height_o="5306" data-src="https://freight.cargo.site/t/original/i/0413ea1fb2d48d3c973230aec51a33926b81fc02bf81df4e2e3d7e5d05e9b76a/Final-Layout---Copy.jpg" data-mid="219678032" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/0413ea1fb2d48d3c973230aec51a33926b81fc02bf81df4e2e3d7e5d05e9b76a/Final-Layout---Copy.jpg" /&#62;

team: Yang Fei, Mengyu Zhao, Cy(Chengzhe) Zhang,&#38;nbsp;



All Rights Reserved

 </description>
		
	</item>
		
		
	<item>
		<title>haus (un)fold</title>
				
		<link>https://fieldobjectlab.com/haus-un-fold</link>

		<pubDate>Sun, 28 Jun 2020 04:37:12 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/haus-un-fold</guid>

		<description>

haus (un)fold&#38;nbsp;











Cabin in the Woods
Competition

In Collaboration with Adam Sun&#38;nbsp; &#38;amp; Wen Wang



2020




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&#60;img width="1687" height="1687" width_o="1687" height_o="1687" data-src="https://freight.cargo.site/t/original/i/89e891021e97e09eae8a1c166211c39c92e5dfe41dc66c544300f5be6942a4a5/sauna-with-foggy-glasssss.jpg" data-mid="75839853" border="0"  src="https://freight.cargo.site/w/1000/i/89e891021e97e09eae8a1c166211c39c92e5dfe41dc66c544300f5be6942a4a5/sauna-with-foggy-glasssss.jpg" /&#62;
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&#60;img width="1909" height="549" width_o="1909" height_o="549" data-src="https://freight.cargo.site/t/original/i/a9de65f8825fbb1e76fae6e23f089163c2c93c378fdbe237d586e2bf51488bc2/_20200628005710.png" data-mid="75839916" border="0" data-scale="64" src="https://freight.cargo.site/w/1000/i/a9de65f8825fbb1e76fae6e23f089163c2c93c378fdbe237d586e2bf51488bc2/_20200628005710.png" /&#62;


All Rights Reserved


&#38;nbsp;</description>
		
	</item>
		
		
	<item>
		<title>leaf pavilion by the lake</title>
				
		<link>https://fieldobjectlab.com/leaf-pavilion-by-the-lake</link>

		<pubDate>Wed, 11 Oct 2023 01:21:07 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/leaf-pavilion-by-the-lake</guid>

		<description>
leaf pavilion by the lake

Silver in Public Space Architecture Designs / Community center in 
The
International Design Awards (IDA)



















&#60;img width="3000" height="2293" width_o="3000" height_o="2293" data-src="https://freight.cargo.site/t/original/i/31de68c955f97857205cb39d1e8a61c4c43c19cc2b763fd1a47f25cd9a14e111/exhi_exterior_4L.jpg" data-mid="193407619" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/31de68c955f97857205cb39d1e8a61c4c43c19cc2b763fd1a47f25cd9a14e111/exhi_exterior_4L.jpg" /&#62;

	The Community Center is situated within a rural village in Ya'an, Sichuan, China, as part of a broader regional effort by the local government to stimulate rural tourism. Ya'an holds a prominent position in tea production, boasting a tea culture with a history spanning hundreds of years. This architectural endeavor takes cues from the region's conventional sloping roof architecture while introducing modifications to the building's layout. The resulting design finds a nuanced equilibrium between the vernacular and the defamiliarized.



The leaf-like floor plan introduces a sense of lightness to the eaves, generating a distinctive architectural contour that gracefully follows the water's edge. The central eaves of each structure adopt a gently downward gesture, subtly redirecting occupants' visual focus toward the distant horizon. Meanwhile, the terminations of each room feature vertical spaces that provide visitors with unobstructed panoramic views of the nearby lake and mountains.



The overall massing adapts to the site's natural elevation gradient from west to east, generating an interior spatial arrangement that emulates the cascading topography of the adjacent terraced tea fields. Upon entry, visitors are guided along this gradually changing floor elevation, culminating in a serene waterside trail.














&#60;img width="3000" height="2356" width_o="3000" height_o="2356" data-src="https://freight.cargo.site/t/original/i/ebe01aa07bdb3f8ecd9100784736ab970852cd7ada48e436c60f82f9f0a1f297/exhi_exterior_1.jpg" data-mid="193407617" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/ebe01aa07bdb3f8ecd9100784736ab970852cd7ada48e436c60f82f9f0a1f297/exhi_exterior_1.jpg" /&#62;


&#60;img width="3000" height="1688" width_o="3000" height_o="1688" data-src="https://freight.cargo.site/t/original/i/d7fd3288ab538bae106f7768ae5c90d52ee4fa0cc599dd77fd080e65b3ec5f37/exhi_interior_1L.jpg" data-mid="193407620" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/d7fd3288ab538bae106f7768ae5c90d52ee4fa0cc599dd77fd080e65b3ec5f37/exhi_interior_1L.jpg" /&#62;
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/66c1cdb153a4c7af3079686770d97a1436383d2b0668e5932741b09b9593ce57/diagrams.jpg" data-mid="193407817" border="0" data-scale="76" src="https://freight.cargo.site/w/1000/i/66c1cdb153a4c7af3079686770d97a1436383d2b0668e5932741b09b9593ce57/diagrams.jpg" /&#62;
&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/5d546c2d606667977b945221d9b3345a02a10ed74eef6bba071743a2d4f0547c/sections.jpg" data-mid="193407819" border="0"  src="https://freight.cargo.site/w/1000/i/5d546c2d606667977b945221d9b3345a02a10ed74eef6bba071743a2d4f0547c/sections.jpg" /&#62;
Cross Section


&#60;img width="4961" height="3508" width_o="4961" height_o="3508" data-src="https://freight.cargo.site/t/original/i/2e7869a7afe389cbc42b7c861e9fbe550c452f4cafc2ed23071458dd0cbd4c32/plans.jpg" data-mid="193407818" border="0"  src="https://freight.cargo.site/w/1000/i/2e7869a7afe389cbc42b7c861e9fbe550c452f4cafc2ed23071458dd0cbd4c32/plans.jpg" /&#62;


Plan



team: Yang Fei, Yizhen Wang, Shunfan Zheng, Andi Zhang, Xinyi Zhou






All Rights Reserved

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	<item>
		<title>a field of the ordinary</title>
				
		<link>https://fieldobjectlab.com/a-field-of-the-ordinary</link>

		<pubDate>Sun, 31 Dec 2023 16:45:06 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/a-field-of-the-ordinary</guid>

		<description>
a field of the ordinary













LA+ EXOTIQUE 2023 Competition

HONORABLE MENTION




&#60;img width="3500" height="4200" width_o="3500" height_o="4200" data-src="https://freight.cargo.site/t/original/i/23cfcb2382ac046f83a46868b375ef45b1ff423cdb7460473a159dd77d10f45b/lo1.jpg" data-mid="205438685" border="0"  src="https://freight.cargo.site/w/1000/i/23cfcb2382ac046f83a46868b375ef45b1ff423cdb7460473a159dd77d10f45b/lo1.jpg" /&#62;



&#60;img width="3140" height="3480" width_o="3140" height_o="3480" data-src="https://freight.cargo.site/t/original/i/3bb9186303e8eab394a75988229fc4eb362ce1be0f19719f133bc002d760b2ab/lo2.jpg" data-mid="205438686" border="0"  src="https://freight.cargo.site/w/1000/i/3bb9186303e8eab394a75988229fc4eb362ce1be0f19719f133bc002d760b2ab/lo2.jpg" /&#62;
&#60;img width="2480" height="1395" width_o="2480" height_o="1395" data-src="https://freight.cargo.site/t/original/i/03134273f5c9240d6aaadbe5b2a4509528f7606009b986079a89980923b94b1b/lo3.jpg" data-mid="205438687" border="0"  src="https://freight.cargo.site/w/1000/i/03134273f5c9240d6aaadbe5b2a4509528f7606009b986079a89980923b94b1b/lo3.jpg" /&#62;

&#60;img width="2480" height="1395" width_o="2480" height_o="1395" data-src="https://freight.cargo.site/t/original/i/40869c0488e0331c350d84d3a97c80aeabd33d799121e44efe00c35fe5a84568/lo4.jpg" data-mid="205438688" border="0"  src="https://freight.cargo.site/w/1000/i/40869c0488e0331c350d84d3a97c80aeabd33d799121e44efe00c35fe5a84568/lo4.jpg" /&#62;


Set against the forecourt of the Muséum national d’Histoire naturelle in Paris, A Field of the Ordinary introduces a “field" populated with 260 trees that are native to the landscapes of France. This intentional juxtaposition aims to challenge the traditional perceptions associated with "Exoticism."
At the end of the central alley, visitors will find themselves entering an assembly of trees varying in height, and a continuous flow of red concrete planks that are alike wounds on the ground. In contrast to the prevailing symmetry and grandeur of the site's geometric layout, this “field” feels too Ordinary. It would be almost unnoticeable placed anywhere else, while here, we take it as an opportunity to curate unexpected engagement for visitors, drawing them into a unique experience.

We envision visitors, from countries that once colonized and those that were colonized, guided by the flow of concrete plank, and drawn toward the heart of the field, where the planks get shorter and heavier, and the ground staunches like a pond. Here, visitors sit under the dome of tree canopies. The former empty plaza fades away, and so does the monolithic Grand Gallery of Evolution. The field becomes a sanctuary for contemplation and rest.

As the trees mature, their increasing stature gradually reshapes the field’s initial peak elevation, diminishing the dominant presence of the Grand Gallery along the central axis of the site. This subtle transformation mirrors a healing process, echoing the recovery over time from the historical damages that imperialism inflicted upon colonized individuals, communities, and cultures.

This simple field doesn't merely fill a void between the formal garden and the grand gallery; it curates a brief escape from the narrative of exoticism that is inherently Western and colonial. Amidst the field a remembrance of history emerges, fostering healing and mutual understanding, encouraging a collective reimagining of what truly constitutes the "exotic."

&#60;img width="2625" height="1287" width_o="2625" height_o="1287" data-src="https://freight.cargo.site/t/original/i/19ec63c60b950981d6501fb5fa81867b9269cef8b99e4893c06dd9d48f0560b7/lo5.jpg" data-mid="205438689" border="0"  src="https://freight.cargo.site/w/1000/i/19ec63c60b950981d6501fb5fa81867b9269cef8b99e4893c06dd9d48f0560b7/lo5.jpg" /&#62;Collage : RECEPTION OF THE AMBASSADORS FROM SIAM AT THE CHÂTEAU DE FONTAINEBLEAU

Collaborator: Xinyi Zhou



 







All Rights Reserved

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	</item>
		
		
	<item>
		<title>shore as river, river as shore</title>
				
		<link>https://fieldobjectlab.com/shore-as-river-river-as-shore</link>

		<pubDate>Wed, 07 Feb 2024 02:15:11 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/shore-as-river-river-as-shore</guid>

		<description>
shore as river, river as shore












Finalist in Concéntrico 10, International Architecture and Design Festival of
Logroño





&#60;img width="3840" height="2160" width_o="3840" height_o="2160" data-src="https://freight.cargo.site/t/original/i/f82616fe05ccf4ca33be41a08aa659eacf6f5f3de498b7f569916eb79dae0d06/front_F.jpg" data-mid="204054810" border="0"  src="https://freight.cargo.site/w/1000/i/f82616fe05ccf4ca33be41a08aa659eacf6f5f3de498b7f569916eb79dae0d06/front_F.jpg" /&#62;





	Our proposal encompasses a duality in narrative and sensory experience. As visitors are drawn into the entrance, the contrast between the blue and the warm-colored ground, along with the plywood material, suggests stepping into a imaginative body of water. Here, the blue walkways are not mere paths but “Rivers” in abstract, and the wooden hues of the wings and plaza transform into metaphorical “Shores”.

As one meanders on the plaza, the 450mm elevation of the installation emerges as an unspoken boundary, reminiscent of a shoreline’s edge. It follows a journey across the plaza, a search for the ‘onboard’ entrance, where metaphors of ‘Shore’ and ‘River’ elegantly invert.

The installation’s dual figures – the inner figure and outer figure – dialogues with its surroundings: the outer figure, a reimagining of public spaces, pays homage to the plaza’s central tree and the statue of two pilgrims, while the inner figures, carved as social tunnels, craft intersections of communal engagement.

Through the multi-layered interpretability of the design concept and the installation’s versatility in accommodating various activities like gatherings, speeches, passage, rest, and contemplation, we aim to foster a coexistence among people, between people and the city, and across time.















&#60;img width="3654" height="2352" width_o="3654" height_o="2352" data-src="https://freight.cargo.site/t/original/i/c6049cde5e32990ea2eee55af1802b88e20d2796f02b00ed9ba25769260f7bd9/Detail_F.jpg" data-mid="204054815" border="0"  src="https://freight.cargo.site/w/1000/i/c6049cde5e32990ea2eee55af1802b88e20d2796f02b00ed9ba25769260f7bd9/Detail_F.jpg" /&#62;




&#60;img width="3528" height="4320" width_o="3528" height_o="4320" data-src="https://freight.cargo.site/t/original/i/810592e50c4be62842cbaf18aa680bf98f4ec20ba8e88d99555609d01ebe2fd8/Portrait_final-copy.jpg" data-mid="204054816" border="0"  src="https://freight.cargo.site/w/1000/i/810592e50c4be62842cbaf18aa680bf98f4ec20ba8e88d99555609d01ebe2fd8/Portrait_final-copy.jpg" /&#62;


collaborator: Qinrong Liu, Ruize Li(CO-MILIEU)






All Rights Reserved

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	</item>
		
		
	<item>
		<title>artist's workshop</title>
				
		<link>https://fieldobjectlab.com/artist-s-workshop</link>

		<pubDate>Tue, 17 Oct 2023 00:06:18 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/artist-s-workshop</guid>

		<description>



artist's workshop

commissioned study
2020










&#38;nbsp;&#60;img width="1800" height="1125" width_o="1800" height_o="1125" data-src="https://freight.cargo.site/t/original/i/e10ad8d9455f4571b7c25c62cbf37180b2cc0d98b5f7dc7eedfbf238d85ef553/office.jpg" data-mid="193910118" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/e10ad8d9455f4571b7c25c62cbf37180b2cc0d98b5f7dc7eedfbf238d85ef553/office.jpg" /&#62;





All Rights Reserved


 </description>
		
	</item>
		
		
	<item>
		<title>retoñar</title>
				
		<link>https://fieldobjectlab.com/retonar</link>

		<pubDate>Fri, 23 Feb 2024 16:35:35 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/retonar</guid>

		<description>
retoñar












collaborator: Qinrong Liu, Ruize Li (CO-MILIEU)

Finalist in Concéntrico 10, 
International Architecture and Design Festival of
Logroño









&#60;img width="1296" height="796" width_o="1296" height_o="796" data-src="https://freight.cargo.site/t/original/i/70adab6999fe110da602870208e3bdde4f59510c9176e78f2916cf76409567cc/1.jpg" data-mid="205317463" border="0"  src="https://freight.cargo.site/w/1000/i/70adab6999fe110da602870208e3bdde4f59510c9176e78f2916cf76409567cc/1.jpg" /&#62;



	



















A 72 meters long table designed with hyper-scale is introduced to the site in response to the conventional activities of outdoorlong table dinner took place in Vineyard. The elvated height of the table allows visitors to gain a panoramic view of Vina Lanciano
beyond the massive foliage. The long table acts like a mian stem that all the upscaled leaf-form chairs are attached to it as if
they grow out from the table. 
Multiple environment elements coexsit in the area. The linearity
of table and the vast amount of supporting legs represents the cultivation form across Vina Lanciano. The continous yet varied
surface forms within the table reflect on the curved topographic change of the river and the land. Meanwhile, the lifted curved surface created a arched gate as a passway, which may recall
people's memory of the bridge near the site as well.25 tall chairs of similar but different forms are placed along the long table, while structurally attached to it in order to fortify the integral stability and stifiness. The
type of chairs can be mainly described as three: individuals, booleaned with the table, and multiples grouped into one. Most of the chairs are designed with seats lower than the height of the long table, while some of the chairs has its seat merged with the table due to the identical elevation. Some chairs are combinations of
several ones.

Despite being lined up in the same direction, various of rotations and inclinations are made to the chairs. A vital image of family is thus created by the sequence of resembled objects redolent of sprouting foliage in breeze or multitudes dancing and farming. They are coexisting solitary objects with distinct gestures yet united to share the same table and landscape. Visitors can climb onto the chair to sit and behold the scenery, while watching other individuals sitting around in all kinds of
poses.










&#60;img width="740" height="924" width_o="740" height_o="924" data-src="https://freight.cargo.site/t/original/i/25e6428bb3ea3be0bf2fd4de390c5fc5d1168ed32e455dd5a6effe2302ecac48/2.jpg" data-mid="205317464" border="0"  src="https://freight.cargo.site/w/740/i/25e6428bb3ea3be0bf2fd4de390c5fc5d1168ed32e455dd5a6effe2302ecac48/2.jpg" /&#62;



&#60;img width="1735" height="164" width_o="1735" height_o="164" data-src="https://freight.cargo.site/t/original/i/dee0d13f10e6393e312f3f0a057e0e072af150665f012ad5354c3fad24af7172/5.png" data-mid="205317467" border="0"  src="https://freight.cargo.site/w/1000/i/dee0d13f10e6393e312f3f0a057e0e072af150665f012ad5354c3fad24af7172/5.png" /&#62;


&#60;img width="995" height="753" width_o="995" height_o="753" data-src="https://freight.cargo.site/t/original/i/c6d48e3faafb87c9209eac022b7c7a11dacb76b15a02c6aa4ba373fe0507be1a/3.png" data-mid="205317465" border="0" data-scale="49" src="https://freight.cargo.site/w/995/i/c6d48e3faafb87c9209eac022b7c7a11dacb76b15a02c6aa4ba373fe0507be1a/3.png" /&#62;


All Rights Reserved

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	</item>
		
		
	<item>
		<title>ruin in the shell</title>
				
		<link>https://fieldobjectlab.com/ruin-in-the-shell</link>

		<pubDate>Thu, 12 Oct 2023 15:17:14 +0000</pubDate>

		<dc:creator>Field Object Lab</dc:creator>

		<guid isPermaLink="true">https://fieldobjectlab.com/ruin-in-the-shell</guid>

		<description>



ruin in the shell

AIGC Research
2023











	&#60;img width="1344" height="1098" width_o="1344" height_o="1098" data-src="https://freight.cargo.site/t/original/i/6e01cb164422b050b484d3778e97e2b368c3de22641a96f1901d75b45c964173/field_objects_Barozzi_Veiga_designed_museum_located_in_Roma_sit_19a7bf2e-7463-4461-890d-b53bbaf91f3d2.png" data-mid="193497858" border="0"  src="https://freight.cargo.site/w/1000/i/6e01cb164422b050b484d3778e97e2b368c3de22641a96f1901d75b45c964173/field_objects_Barozzi_Veiga_designed_museum_located_in_Roma_sit_19a7bf2e-7463-4461-890d-b53bbaf91f3d2.png" /&#62;

&#38;nbsp;&#60;img width="1344" height="896" width_o="1344" height_o="896" data-src="https://freight.cargo.site/t/original/i/a86c22feafaf4f7ec19340a109bb7c8982e5524fc6dbe70fa1cb394c2efccbc7/field_objects_Barozzi_Veiga_and_Office_KGDVS_designed_museum_lo_5f9fe836-09bb-4eac-b4dd-27be896ce31b.png" data-mid="193497407" border="0"  src="https://freight.cargo.site/w/1000/i/a86c22feafaf4f7ec19340a109bb7c8982e5524fc6dbe70fa1cb394c2efccbc7/field_objects_Barozzi_Veiga_and_Office_KGDVS_designed_museum_lo_5f9fe836-09bb-4eac-b4dd-27be896ce31b.png" /&#62;

&#60;img width="1024" height="1024" width_o="1024" height_o="1024" data-src="https://freight.cargo.site/t/original/i/6e149975bfd00a7abf476e2baefc08a35ffc7ff8f5ccd2d718da4d6af679bff1/field_objects_Barozzi_Veiga_designed_museum_with_white_interior_3c44989d-94f1-4cd4-bc78-6a54a9ad55e6.png" data-mid="193497415" border="0"  src="https://freight.cargo.site/w/1000/i/6e149975bfd00a7abf476e2baefc08a35ffc7ff8f5ccd2d718da4d6af679bff1/field_objects_Barozzi_Veiga_designed_museum_with_white_interior_3c44989d-94f1-4cd4-bc78-6a54a9ad55e6.png" /&#62;


All Rights Reserved


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